Back when young Sandy was grabbing these tapes five for $10, they were the only way to access films of the 60s and 70s—a Bollywood golden age not yet available on DVD. No YouTube. In contrast with American individualism, Bollywood musicals told stories of unrequited lovers, familial strife, and diasporic struggles while underlining cultural principles like honoring parents and remembering one’s homeland. As Sandy explains: “South Asian-Americans, like all immigrants, are demanded to assimilate, to make ourselves palatable. Simultaneously, elders, guilt, and nostalgia demand that the culture and values of the homeland take precedence. To be of the diaspora is to be between. Between-ness is fuzzy, and here the lo-res quality of bootleg video recalls a specific moment in time, while also addressing the wobbliness of existing between cultures and generations.”

Not Just Tapes invites viewers to examine concepts of home and identity in the context of an abstracted living room. Whereas the outside world demands accepting the underlying discomfort in cultural conformity, the living rooms of immigrants are often carefully curated to soothe that discomfort. These rooms often contain literal altars, but they are altars themselves, decorated with figures, flags, portraits, collectibles, all touchstones to the homeland. Grab a tape from the TV console, pull up a chair, and get comfortable. Be kind, rewind.